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The Author's Farce : ウィキペディア英語版
The Author's Farce

''The Author's Farce and the Pleasures of the Town'' is a play by the English playwright and novelist Henry Fielding, first performed on 30 March 1730 at the Little Theatre, Haymarket. Written in response to the Theatre Royal's rejection of his earlier plays, ''The Author's Farce'' was Fielding's first theatrical success. The Little Theatre allowed Fielding the freedom to experiment, and to alter the traditional comedy genre. The play ran during the early 1730s and was altered for its run starting 21 April 1730 and again in response to the Actor Rebellion of 1733. Throughout its life, the play was coupled with several different plays, including ''The Cheats of Scapin'' and Fielding's ''Tom Thumb''.
The first and second acts deal with the attempts of the central character, Harry Luckless, to woo his landlady's daughter, and his efforts to make money by writing plays. In the second act, he finishes a puppet theatre play titled ''The Pleasures of the Town'', about the Goddess Nonsense's choice of a husband from allegorical representatives of theatre and other literary genres. After its rejection by one theatre, Luckless's play is staged at another. The third act becomes a play within a play, in which the characters in the puppet play are portrayed by humans. ''The Author's Farce'' ends with a merging of the play's and the puppet show's realities.
The play established Fielding as a popular London playwright, and the press reported that seats were in great demand. Although largely ignored by critics until the 20th century, most agree that the play is primarily a commentary on events in Fielding's life, signalling his transition from older forms of comedy to the new satire of his contemporaries. Fielding's play within a play satirised the way in which the London theatre scene, in his view, abused the literary public by offering new and inferior genres. ''The Author's Farce'' is now considered to be a critical success and a highly skilled satire.
==Plot==
Most of Fielding's plays were written in five acts, but ''The Author's Farce'' was written in three. The opening introduces the main character, Harry Luckless, and his attempts to woo Harriot, the daughter of his landlady Mrs. Moneywood. The play begins in much the same way as Fielding's earlier romance-themed comedies, but quickly becomes a different type of play, mocking the literary and theatrical establishment.〔Rivero 1989 pp. 35–36〕 Luckless is trying to become a successful writer, but lacks the income that would allow him to concentrate on his writing. Although others try to support him financially, Luckless refuses their help; when his friend, Witmore, pays his rent behind his back, Luckless steals the money from Mrs. Moneywood. In the second act, Luckless seeks assistance to help finish his play, ''The Pleasures of the Town'', but is poorly advised, and the work is rejected by his local theatre. Luckless revises his play and succeeds in finding an alternative venue,〔Pagliaro 1999 pp. 70–71〕 leading to the third act, in which the work is performed as a puppet show, with actors taking the place of the puppets.〔Rivero 1989 p. 37〕
The third act is dominated by the puppet show, a play within the play. It begins when the Goddess of Nonsense chooses a mate from a series of suitors along the River Styx. All dunces, the suitors include Dr. Orator, Sir Farcical Comic, Mrs. Novel, Bookseller, Poet, Monsieur Pantomime, Don Tragedio and Signior Opera.〔Pagliaro 1999 pp. 71–72〕 The goddess eventually chooses a foreign castrato opera singer as her favourite — Signior Opera — after he sings an aria about money. Mrs. Novel then claims that she loved Signior Opera, and died giving birth to his child.〔Campbell 1995 p. 33〕 At this revelation, the goddess becomes upset, but is quick to forgive.〔 The play within the play is interrupted by Constable and Murdertext, who arrive to arrest Luckless "for abusing Nonsense",〔Lockwood 2004 p. 282〕 but Mrs. Novel persuades Murdertext to let the play finish. Someone from the land of Bantam then arrives to tell Luckless that he is the prince of Bantam. News follows that the King of Bantam has died, and that Luckless is to be made the new king. The play concludes with the revelation that Luckless's landlady is in reality the Queen of "Old Brentford" and that her daughter, Harriot, is now royalty.〔Pagliaro 1999 p. 72〕 An epilogue in which four poets discuss how the play should end is brought to a conclusion by a cat, in the form of a woman.〔Hunter 1975 p. 54〕

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